Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Showing 1 - 4 of 4 matches in All Departments
*** Music in Korea is one of several case-study volumes that can be
used along with Thinking Musically, the core book in the Global
Music Series. Thinking Musically incorporates music from many
diverse cultures and establishes the framework for exploring the
practice of music around the world. It sets the stage for an array
of case-study volumes, each of which focuses on a single area of
the world. Each case study uses the contemporary musical situation
as a point of departure, covering historical information and
traditions as they relate to the present. ***
When we think of composers like Mozart or Beethoven, we usually envision an isolated artist separate from the orchestra - someone alone in a study, surrounded by staff paper - and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed - composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie C. Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large. Wade examines the history of composers in Japanese society, looking at the creative and economic opportunities that have sprung up around them - or that they forged - during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
When we think of composers like Mozart or Beethoven, we usually envision an isolated artist separate from the orchestra - someone alone in a study, surrounded by staff paper - and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed - composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie C. Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large. Wade examines the history of composers in Japanese society, looking at the creative and economic opportunities that have sprung up around them - or that they forged - during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
|
You may like...
Clare - The Killing Of A Gentle Activist
Christopher Clark
Paperback
|